When he unexpectedly becomes a single parent, an aspiring professional baseball player trades in his bat for a socket wrench and becomes a small-town mechanic. But when he tries to convince his young daughter to play Little League ball, King is disappointed to learn that she prefers ballet shoes to cleats. Can he accept his daughter for who she is and take another swing at his dreams?

A retired professor with a knack for snooping gets a new lease on life when a private investigator recruits him to go undercover and crack a case.

A rich story of love, intrigue, betrayal and belonging told from the perspective of the Trojan royal family at the heart of the siege of Troy.

A story of an uptown girl who must journey to Bangkok to search for work and there, confronts difficulties from selfish people. How is she going to navigate her life around this new environment?

A 42-minute making-of documentary, "Inside 'Inside Llewyn Davis,'" produced and directed by David Prior. A number of cast and key crew people are interviewed, but, not surprisingly, the Coens, music supervisor T-Bone Burnett, and lead Oscar Isaac dominate the proceedings.

Prison inmate Miles Barrett is ripped awake in the middle of the night by a terrifying crash, gunfire, and the sickening screams of a man being torn apart. Something is loose in the prison - and it's coming for Miles...

剧情细节严格保密。据悉，这是一部超自然惊悚片，讲述了一个人被困于神话生物之中的故事。

An uncredited Jean-Luc Godard produced this 1997 third feature by the singular American independent Rob Tregenza, and along with Hungarian filmmaker Bela Tarr, Godard is certainly a presiding guru over this powerful if enigmatic view of life in and around a psychiatric hospital somewhere in rural, snowbound America. Shot by Tregenza himself (one of the best cinematographers on the planet) in black-and-white 35-millimeter ‘Scope — mainly in extremely long, choreographed takes that transpire with a minimum of dialogue but with an extremely inventive and original Dolby sound track — the film offers not so much a plot in the usual sense as a series of interlocking characters and events governed, like the film’s title, by polarities: sound and image, interior and exterior, sanity and madness, freedom and institutional captivity, society and isolation. According to clues planted in the clothes and decor (especially the cars), the action begins around 1945 and ends in the present or near future, but to confuse matters further the characters and their behavior remain unaging constants. Tregenza’s background in existential philosophy serves him well: every shot comprises an event, and most of them were shot only once, in a single take, allowing change and contingency to shape the material. Art conceived as both adventure and confrontation, Inside/Out requires a certain amount of creative energy from the audience but grandly repays the effort.